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Pop Fiction

by Eddie Japan

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1.
Eddie you’re falling you’re really falling, Babe I don’t know who you are Eddie you’re slipping you’re double dipping, Babe with those fancy clothes and that pink guitar Well it ‘aint as bad as it seems it only hurts when I dream Hey, Eddie should I leave on the light? You’re keeping me up all night “I’m not coming home!” Eddie you’re breaking my heart you’re breaking, Babe You’re taking this too far, like some small town big shot in a strip mall Camelot Who do you think you are? Well I’ve been going out of my mind and you wouldn’t believe what I’m find-ing! Hey, Eddie should I leave on the light? You’re keeping me up all night “I’m not coming home!” Hey, Eddie should I leave on the light? You’re keeping me up all night “I’m not coming home!” Well it ‘aint as bad as it seems it only hurts when I dream Hey, Eddie should I leave on the light? You’re keeping me up all night “I’m not coming home!” Hey, Eddie should I leave on the light? You’re keeping me up all night “I’m not coming home!” Eddie, you rebel you think you’re so special you howl at the moon you score at the bar But your heart will break as you take off her bra you’re so far from home but I know who you are
2.
Summer Hair 04:34
Now I take you down beneath the burning haze You’re all I crave and every time I see your face I fall So breathe your life back into me, oh hey I know you spend your time with him but wait maybe we can make it last just a little bit longer Here we are two of a kind torn apart by a bitter world outside Take my hand the summer’s almost gone I’d rather fall with you than stand on my own Now all my fears come crashing like the waves but when I run my hands through your summer hair I’m saved and all at once I remember everything the way your damp skin felt beneath your clothes the salt and sea upon your lips, oh Baby don’t you go Here we are two of a kind torn apart by a bitter world outside Take my hand the summer’s almost gone I’d rather fall with you than stand on my own And we fall like the summer And we fall like the summer… Take my hand the summer’s almost gone I’d rather fall with you than stand on my own
3.
Strange fascination the sweetest temptation I’m falling I’m falling for you Your gaze cuts right through me It saws me in two me’s I’m falling apart over you And if I if I if I if I should fall Walking a tightrope with no net it’s no joke the crowd gasps as I trip and sway I’m drunk and I’m dizzy I’m flying I’m crazy obsessing all my days away And if I if I if I if I should fall And if I if I if I if I should fall The sweet pain of missing you the mad thrill of kissing you I’m falling The sweet pain of missing you the mad thrill of kissing you I’m falling Strange fascination the sweetest temptation I’m falling I’m falling for you Your gaze cuts right through me It saws me in two me-s I’m falling apart over you
4.
I do my best work in the aisles of the local Home Depot I came in here looking for something but I ended up leaving with someone new In the middle of the afternoon All over town You know they come around, they come they really like my style I wear the clothes of a man at least ten years younger I’m coming off like some phony dandy of suburbia in the middle of the afternoon Bed Bath and Beyond Married, single or divorced they really like my style Oooh, let the tears flow Oooh, let the tears flow I’m not really sure when they started calling me Eddie I was just a regular man now I’m escorting women In the middle of the afternoon Red Roof Motel Now I’m in demand ever since she threw me out Oooh, let the tears flow Oooh, let the tears flow Help me, cause I’m falling falling in love or falling apart I don’t know Tell me ‘cause I hear you is this more than an afternoon score I gotta know At night they go home and curl up with their husbands And I go back to the empty of my one-room apartment Maybe she thinks of me or maybe she stinks of me Maybe some day they’ll find me ejected from the vehicle or maybe I’ll rise up with the fangs of a viper It’s all or nothing for me there’s never any in between Singing do you want me do you want me do you want me now Oooh…just let the tears flow Oooh…just let the tears flow
5.
Undertow 04:05
Do you want Do you want Do you want Do you want me now Do you want Do you want Do you want Do you want me now… I'm screwing through a second adolescence Before the tide rolls in and the sky turns gray What should I do surrender to the deadly undertow of this awful age? Am I a man? show me and tell me Am I alive? I cannot say Give me a chance this suburban dandy Out on the town filled with well-dressed rage I feel so good but the end is coming like a fashion model with a fatal disease If you were me would you go out in style If you were me would you let it play I was doing okay but then something kind of hit me a strange kind of sadness just pulled me away I get so happy when I'm down in her meadow I get so sad when the light starts to change I was born on a Saturday evening I was born with a fever in me Is this a breakdown? Or it might be a breakthrough Is this the end? that remains to be seen She tried to love me but I wouldn't let her My mind started to wander and my body gave chase She was choking on my second-hand depression but she wasn't joking when the locks were changed Do you want Do you want Do you want Do you want me now Do you want Do you want Do you want Do you want me now…
6.
I know I might not look like much but I can go all night and when I see the moon I think I just might I got a slow-rolling mania and a heart full of pain tonight my freedom flows from an open vein Dandy of suburbia American bad dream An amorous adventure it’s not quite what it seems She shimmers in the distance out on the golden plain She pulls me from the doldrums She calls me by my name I can’t wait Lady California Queen of Shivaree Goddess of Surrender I will follow thee Your legs stretched out before me like a highway to the sea I drive all night in fever and fantasy I can’t wait What do you want? Rescue me, now What do you want? I want you. What do you want? Rescue me now You got to pull me from this auto erotic blue I cut the cord 'cause I was bored Now I’m adrift endlessly On the road ahead I might be left for dead Baby, your suspense is killing me I can’t wait I can’t wait
7.
Lost Weekend 03:50
I wanna pour Four Roses on ya and in the motel room I’ll drink it off ya Uh oh Uh oh We’ll check in on a Friday evening and in the process we’ll lose the weekend Uh oh Uh oh We hide like villains from the pain of yesterday Beneath these dirty sheets we’ll make our getaway C,mon, Baby, I’m going under but when you kiss me I can feel the thunder Uh oh Uh oh And now it’s raining as we go from day to night Are you feeling lonely in the dying of the light? Afterglow is fading and it turns to after-gloom But we’ll get our second wind as the bourbon works the room Clear the way for another lost weekend, oh oh Clear the way for another lost weekend, oh oh Clear the way for another lost weekend Clear the way for another lost weekend Clear the way for another lost weekend, oh oh Oh, you turning me what could possibly go wrong? Oh you’re turning me on Oh you’re turning me on oh oh oh You’re turning me on again You’re turning me on I wanna pour Four Roses on ya and in the motel room I’ll drink it off ya Uh oh Uh oh Clear the way for another lost weekend, oh oh Clear the way for another lost weekend, oh oh Clear the way for another lost weekend Clear the way for another lost weekend Clear the way for another lost weekend, oh oh Clear the way for another lost weekend, oh oh Clear the way for another lost weekend, oh oh Clear the way for another lost weekend Clear the way for another lost weekend Clear the way for another lost weekend, oh oh
8.
Walk Away 04:03
A pretty picture torn in two it’s true we’re losing steam Going nowhere caught between  heartbreak and a dream I stood in the rain for you you were not satisfied I carried the pain for two I held you when you cried A pretty picture I recall it all so foolishly Kept me hanging on the edge  of love and misery I wore the dress for you  I gave you all I had I said, “Yes,” then, “I do” to see the good in you go bad Walk away there’s nothing left to do I can’t escape the the dark side of me and you Walk away there’s nothing left for me And I can’t pretend that we were meant to be Nananananana… Whiskey kisses lonely missus up all night again Left the light on we get our fight on when I come stumbling in I waited in vain for you while the moon seduced the sun You made it plain we’re through 'cause the shadow in me won Walk away there’s nothing left to do I can’t escape the the dark side of me and you Walk away there’s nothing left for me And I can’t pretend that we were meant to be I’ll take the bottle I’ll take the blame this knot has been untied Keep your troubles keep your name ‘cause something in you died Now I’m walking away Now I’m walking away I’m walking away from you…Baby Walk away there’s nothing left to do I can’t escape the the dark side of me and you Walk away there’s nothing left for me And I can’t pretend that we were ever meant to be Nananananana…
9.
Oooh Baby let’s go back in time Back when it was your place or mine Way back before I moved in Can we get back to that place again? Oooh, Baby Baby I’m a ready for love with a little science fiction and some help from above Oooh Baby Baby it’s about to begin the time machine is waiting let’s go for a spin for a spin I’m just an ordinary guy and you’re the apple of my ordinary eye Oooh Baby I thought I was immune to the call of the void and the pull of the moon Oooh, Baby Baby I’m a ready for love with a little science fiction and some help from above Oooh Baby Baby Hey, what do you say? the time machine is waiting let’s leave right away right away I’m just an ordinary guy And you’re the apple of my ordinary eye Oh Baby I’d kill for that feeling when I couldn’t leave the house without wearing my ring Oooh, Baby Baby I’m ready for love with a little science fiction and some help from above Oooh Baby Baby it’s about to begin the time machine is waiting let’s go for a spin for a spin Oh, yeah!
10.
I will not dance with your cold lunacy I’m made of flesh and bone not fantasy Standing right in front of you I will not live  where your personas collide Dragged out and thrashing in some midnight riptide Drowning right in front of you I don’t want to see you anymore don’t bring your shadow near my door I don’t want to see you anymore I will not serve  as your endless goodbye You shape-shift and feed off my whispers and sighs Hiding right in front of you I don’t want to see you anymore don’t bring your shadow near my door I don’t want to see you anymore don’t bring your shadow near my door ‘Cause I can’t contend with the pull of the moon No, I can’t contend with the pull of the moon I can't contend with the pull of the moon
11.
All I ever wanted was a very sexy life If routine be the butter then I the hottest knife But it became pathological such a tragic little scene a DM here, a check-in there, her credit card and pretty soon we’re in our underwear It’s such a sad affair You’re witnessing the fall of man right here in real time He’s less concerned with the damage done than with can he make it rhyme I couldn’t do the dad rock the vacations and those things So I traded down for rented rooms eternal afternoons and suburban flings I’ve had half a life to figure it out but no I can’t you tell you what’s it all about And now, this is where the story ends and I know I can’t go home again, no You’d think we’d have it down by now from the slime to popular song but there’s just so much - gray matter and such between the right and wrong And now she stands before me as naked as a flower I’m searching for my higher self in a room rented by the hour I’ve had half a life to figure it out but no I can’t tell you what’s it all about And now, this is where the story ends and I know i can’t go home again, no This is where the story ends this is where the story ends When I leave this dingy room I’ll throw this jacket in the bin and I will start again I will evolve I will evolve Watch me Watch me evolve Watch me

about

Designed for extended listening in the attention-deficit age of the single, Eddie Japan’s new album Pop Fiction is all about choices – and what happens after decisions are made. With inspiration that draws across centuries, from Danish existentialist philosopher Søren Kierkegaard’s Either/Or to modern-day glam rock thinkers like David Bowie and Frank-N-Furter, the Boston cinematic-pop septet have crafted an entire world that unfolders with each song like chapters to a novel. The album releases on 4/28/2023 to the streams and on CD by Boston independent label Rum Bar Records.

“The first song I wrote for the record was ‘The Dandy of Suburbia,’ and it had a strong visual appeal, almost film-like, so I felt it could be the beginning of a larger story,” Eddie Japan vocalist and songwriter David Santos tells us. “Characters like Alfie Elkins and Don Draper came to mind. It evolved into a classic anti-hero tale, as seen through the eyes of a strip mall Don Giovanni/Juan. Ultimately, it’s a record about the consequences of one’s choices.”

Those decisions play out across the album’s 11 theatrical tracks, which include two collaborations with The Cars’ iconic synth pioneer Greg Hawkes, an honorary member of the band who not only joins them on stage, but also appears on two Pop Fiction songs: March single “Time Machine” and album track “I Can’t Wait.” Knowing full well today’s listeners are more inclined to digest music in bite-sized two-minute singles fit for the streaming era, Eddie Japan have leaned into their musical drama and knack for storytelling through Pop Fiction’s grand, ambitious reach.

“We’ve been hearing for the last decade or so that the album format is dead,” Santos adds. “We hope this record does something to beat back that notion. Pop Fiction is a definite album experience and we would love for listeners to enjoy the record from start to finish at least a few times so that the connections between the songs are discovered. In that same spirit, we hope folks who may have grown up listening to LPs get the sense that we trust their intelligence and that this record is for them.”

credits

released April 28, 2023

Words and music by David Santos
Recorded, mixed and produced by Eric Brosius
Additional recording on “If I Should Fall” by Alex Allinson at The Bridge Sound and Stage, Cambridge, MA
Arranged by Eddie Japan
Mastering by Pete Weiss at Jade Cow Music Services, Somerville, MA

Cover design by Todd Alcott

Eric Brosius - guitars
Emily Drohan - vocals
Chuck Ferreira - drums and percussion
Bart LoPiccolo - guitars
Charles Membrino - bass
Aaron Rosenthal - keyboards
David Santos - vocals
with Greg Hawkes - synthesizer on “I Can’t Wait” and “Time Machine”

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Eddie Japan Boston

".. a contagious attitude of doing it up, and doing it up right that you can hear in the carnival swirls of ultra-melodic pop, latin-flavored bravado and cinematic ‘70s UK rock."

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